Online Metronome

120BPM
moderato - the everyday walking-pace tempo
โ— โ— โ— โ—
Tempo markingBPMThe feel
Larghissimounder 40barely moving
Adagio55-65slow, at ease
Andante73-77at a walking pace
Moderato86-97moderately
Allegro120-156fast, cheerful
Presto168-177very fast
The tempo markings are Italian by convention (the classical-era inheritance), and the BPM bands above are the broad practical ranges students memorize - composers kept exceeding them, which is why "presto" has cousins. The metronome itself dates to 1815, and Beethoven marked his 1817 symphony with its tempos - the first major composer to trust the machine over the human conductor's feel.
Practice alongside: the stopwatch times the practice blocks, the online timer runs the ten-minute scales, and the custom countdown maker counts to the recital.

The metronome is the oldest practice tool in music and still the most honest: set 120 BPM, press start, and the accent clicks every four beats while the dots show where you are in the bar - 2, 3, 4 or 6 beats, so the waltz players are not second-class citizens. The tempo slider runs the full practical range, 30 to 240 BPM.

Bottom line: the Italian markings table is the page's decoder ring - Allegro is not a vibe, it is 120-156 BPM, and Andante is literally "at a walking pace" (73-77). Practice at the marking's BPM and the classical repertoire stops feeling like guesswork.

The honest part: the clicks are browser-generated tones (a higher beep on the downbeat, lower on the rest), so the sound is functional rather than woody - and the metronome itself dates to 1815, when Beethoven became the first major composer to mark his symphonies with its numbers, for better and occasionally for worse.

How to use

  1. Set the BPM (or type an exact number) and the beats per bar, then press Start - the downbeat clicks high.
  2. Practice the hard passage at a tempo you can play cleanly, then raise the slider in 10-BPM steps until you reach the marking.
  3. Use the markings table as the dictionary: the sheet music says Andante, the table says 73-77, the slider goes there.
Good to know โ€” The tempo marking bands, as students memorize them: Larghissimo under 40, Largo 40-60, Adagio 55-65, Andante 73-77, Moderato 86-97, Allegro 120-156, Vivace 156-176, Presto 168-177, Prestissimo over 177. The metronome was patented in 1815; Beethoven published Maelzel's marks for his Ninth Symphony in 1817. The practical practice range for most repertoire sits between 60 and 160 BPM, which is why the slider runs 30-240 with room on both ends.
Quick reference โ€” Practice the ten-minute block, not the feeling: timer for ten minutes at today's tempo, clean pass, raise ten BPM, repeat - the ladder beats marathons. And when the passage is finally clean at the target marking, play it once at yesterday's tempo for the confidence; the metronome is a ladder, not a home.

Frequently asked questions

What do the tempo markings mean in BPM?

The broad practical bands: Larghissimo under 40, Adagio 55-65 (slow, at ease), Andante 73-77 (at a walking pace - literally), Moderato 86-97, Allegro 120-156 (fast, cheerful), and Presto 168-177 (very fast). The bands overlap at the edges because the markings predate the metronome's numbers - they were moods first and tempos second.

What BPM should I practice at?

The rule every teacher gives: start at the tempo where you can play the passage without mistakes, then raise in 10-BPM steps once it is clean three times in a row. The target is the marking on the sheet (or 120 if there is none); the starting point is usually 60-70% of it, and the metronome's slider is the ladder between.

Why is the first beat louder?

The high click marks the downbeat - the first beat of the bar - so your ear can feel where the pattern begins without counting. It is the aural version of the dots below: four beats means the accent lands on 1 every time, three means the waltz lilt, six means two groups of three.

Who invented the metronome?

The mechanical metronome was patented by Johann Maelzel in 1815 (building on earlier designs), and Beethoven promptly annotated his Ninth Symphony with Maelzel's metronome marks in 1817 - the first major composer to publish them. The pendulum machine has been argued with by musicians ever since, which is why the markings on old scores are called suggestions by conductors and law by students.

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